4 hours ago
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A thick velvet curtain cocoons the stage as a cool disembodied voice projects over the audience: “This is an encore. An encore occurs because the audience wants more.” Since their initial breakup in 2002, Pulp have re-formed twice, for sold-out tours and festival sets played to loyal, rapturous audiences. Tonight, the stakes are higher: for the first time in 24 years, Pulp have a new album, More, released just one day before tonight’s opening show. The audience want more – but do they want More?
Any anxiety about new material is quashed when set opener and comeback single Spike Island is received like an old friend. Jarvis Cocker rises from the back of the stage flanked by cardboard cutouts of his bandmates – recognisable from the cover of 1995’s Different Class – before joining their real-life counterparts, guitarist Mark Webber, drummer Nick Banks and keyboardist Candida Doyle, downstage. Continuing this mood, old and new songs on the setlist complement each other: the spacious psychedelia of More’s Farmer’s Market leads into the wide-eyed wonder of Sunrise from We Love Life; and the high stakes disco of O.U. (Gone, Gone) is echoed in its new counterpart Got to Have Love. With its illuminated staircase, kitschy backdrops and full string section, the stage is reminiscent of a 1970s chatshow set, with Cocker holding court in a corduroy suit, taking a seat – and occasionally laying down – during the spoken word sections, but always captivating.
The setlist caters for fans of most Pulp eras, but This Is Hardcore heads are truly spoiled, with Help the Aged and The Fear both played live for the first time in over a decade. The latter sees Cocker share the limelight with four inflatable air dancers, somehow perfectly encapsulating the song’s ennui in their gigantic absurdity. This Is Hardcore begins with the strings-only End of the Line mix, maximising the luxe melodrama before laying on its heavy dread. A hits-packed final run ends with Common People, somehow still thrilling – and relevant – 30 years after its release. The curtains are drawn, but the band return for a semi-acoustic version of A Sunset, the final track from More. It says a lot about this beloved group that, after playing their biggest hit, they can play an album track released yesterday to the same rapt attention.
