Psycho shocks, an American superstar and Marie Antoinette’s finest fits – the week in art

3 hours ago 4

Exhibition of the week

Kerry James Marshall: The Histories
America’s superstar painter shows his carnivalesque pictures which make Black people the triumphant heroes of art history.
Royal Academy, London, 20 September until 18 January

Also showing

Marie Antoinette Style
An exhibition about much more than style, this fantastic gathering of art and fashion does no less than bring the executed queen back to life.
V&A, London, until 22 March

Naeem Mohaiemen: Through a Mirror, Darkly
A troubling and haunting trip to the America of 1970 where students were shot for their radicalism.
Artangel, Albany House, London, from 21 September until 9 November

Can We Stop Killing Each Other?
Art from Japanese woodblock prints to Alfred Hitchcock’s Psycho features in this investigation of violence and war.
Sainsbury Centre for Visual Art, Norwich, from 20 September until 17 May

Hoi Polloi
Renaissance and rococo art rubs shoulders with Gillian Wearing and Glenn Brown at Brown’s Marylebone museum.
The Brown Collection, London, from 24 September until 8 August

Image of the week

A rediscovered Picasso masterpiece, Bust of a Woman with a Flowered Hat, Dora Maar

Picasso’s previously unseen Bust of a Woman in a Flowery Hat (Dora Maar) was finished in July 1943, towards the end of his turbulent nine-year relationship with Maar. It was bought in August 1944 – the month of the liberation of Paris – and remained in the same private collection ever since, but was shown to the public for the first time this week by the Parisian auction house where it will go under the hammer in October. Read the full story here

What we learned

The remarkable Rosalyn Drexler juggled three careers, making polemical pop art, writing plays and novels and professional wrestling

Tate Modern’s new Picasso show is a riotous five-star triumph

Photographer Joy Gregory’s retrospective unveils a new work so long in the making some of its participants have died

Palestinian painter Samia Halaby brings an analytic eye to abstraction

An installation in Trafalgar Square affords everyone the same view as Nelson

Architect Nicholas Grimshaw, who has died, influenced the way Britain moved, worked and shopped

The renovation of stately home “Downton Shabby” has pit a US actor against Rochdale council

Graphic artist Edizon Musavuli has made a stunning comic strip of life in the Congo

Community photographers played a valuable part in immortalising Black lives in small-town Texas

Hilary Lloyd’s enchanted installation takes a sideways look into the world of playwright Dennis Potter

School shoes and Desert Boots spark memories in a museum celebrating two centuries of Clarks footwear

The Gaza Biennale, a travelling exhibition of work by Palestinian artists, has reached New York

Masterpiece of the week

The Banquet of Cleopatra by Giovanni Battista Tiepolo, 1740s

Giovanni Battista Tiepolo, The Banquet of Cleopatra, 1740s (c) The National Gallery, London

You can feel the light and space of Venice in this oil sketch of a moment from ancient history, when Cleopatra was said to have dissolved a pearl in vinegar to show how little she thought of wealth. It may be a study for a fresco in a Venetian palace: it glows with a sense of the Venetian art tradition, directly evoking famous Renaissance artists such as Titian and Veronese. The way we look up the steps towards the blue melting sky recalls the airy upward view in Titian’s group portrait of the Vendramin family, also in the National Gallery: but the main model is Veronese’s Wedding at Cana, in the Louvre. Tiepolo recreates this huge painting’s depiction of a banquet between lofty classical buildings. But his painting is even more airy and light than its Renaissance inspirations, inviting you to float in a shimmering fairytale atmosphere.
National Gallery, London

If you don’t already receive our regular roundup of art and design news via email, please sign up here.